Samu Bahadur Movie Review: A simple and unforgettable vignette reel assisted by Vicky Kaushal

Samu Bahadur Movie Review: Director Meghna Gulzar's latest film is an adventure in the life of Field Marshal Sam Manekshaw The joke is made into a drama without any nuance.

Sam Bahadur Movie Review: Sam Bahadur has a lot to offer. For director Meghna Gulzar, this is the result of her two major successes - Talvaa (2015) and Raazi (2018). The lead actor, Vicky Kaushal, is no stranger to playing men on missions against the enemy of the state and has also played roles between fictional and real-life characters in Uri: Surgical Strike (2019) and Sardar Udham (2021). He plays both. . Ultimately, it's a story about the life of one of this country's most famous soldiers, Marshal Sam Manekshaw. Marshal Sam Manekshaw is an almost mythical colossus who survived being shot nine times by Japanese soldiers during World War II. Also read: Sam Bahadur Twitter review praises Vicky Kaushal for playing Sam Manekshaw in Meghna Gulzar's film.

I squirmed and fidgeted in my seat for a long time, watching the movie. Waiting for the decisive moment of brilliance. When screenwriter Bhavani Iyer and director Meghna Gulzar try to make you laugh, you laugh hard. Yet, in the end, the meaning of Sam Bahadur completely escapes you. When I came out of the theater, I felt like I had received a new retelling of the annual online article you read on the Manek Show. Manekshaw was the proud owner of a bushy handlebar beard and a bushy pie, famous for feeding even the country's prime minister at the time the humble pie. Donor of Bracelet and Battlezone Sayings.

Biography is a loose genre because most of it follows an episodic framework and is limited by notions of veracity and length. What makes this genre work so memorable is how and where the film's central conflict is set. Oppenheimer, released earlier this year, was about the protagonist's security clearance being revoked and how the movie revolves around it. Sam Bahadur has chosen to tell the story of the acclaimed protagonist without much of a narrative outburst, venting or problematization about Manekshaw's recent recruitment as the ultimate Sigma Man. The film is so intent on reaping the rewards of bringing legends to life on screen that it ends up delivering hagiography. In fact, the characterization of Manekshaw's Pakistani Yahya Khan (Mohd Zeeshan Ayyub) is more nuanced (though not without creepy aging makeup and prosthetics).

If there's one thing that will charm you in this movie, it's Vicky Kaushal. After a mostly disappointing year in terms of characters written in 'Govinda Naam Mera', 'Zara Hatke', 'Zara Bakke' and 'The Great Indian Family', Sam Bahadur He imbued Kaushal with exactly the same kind of magic that he did. “Sardar Udham, Raj” (2018). and Masaan (2015). In the hands of a weaker actor, Manekshaw's gait, affected vocal delivery, and well-known effortless charm and witty personality may seem like a caricature, but always... A confident Kaushal has a firm grip on this character. His off-screen generosity and self-acceptance are beautifully reflected in the protagonist's optimism and unwavering confidence in his own abilities.

Sanya Malhotra provides an emotional anchor for the Manekshaw family as Sam's charming wife Shiru Bode, complementing her singular energy with the brightness she recently displayed in The Jawan and the Qatar. There is. In the film, it is often implied that Manekshaw's victory comes at the expense of Shiruru and his daughters. However, Fatima Sana Sheikh's performance as Indira Gandhi is largely questionable, and the blame lies primarily with casting choices.

The film's music is loud, distracting, and off-kilter (the war anthem Badte Chalo is incredibly bland and inelegant), but Shankar-Ehsaan-Loy's obvious musical talent and This is surprising considering the trio's last great collaboration with Gulzar and Raj. In addition to a mediocre background score, Sam Bahadur makes effective use of archival footage to support the narrative and lend documentary-like weight to the proceedings, but even this is limited by the film's passive linearity and staccato has contributed to the time jump.

Sam Bahadur gently and charmingly engages with various parts of Manekshaw's life, which together form the plot of the film. They're extremely well shot, designed, and acted (props to cinematographer Jay Patel for his work on the Burmese bombing and battle scenes), and might be worth checking out this life-size vignette reel in theaters. I don't know. But there are threads that unite them, such as the banter between Manekshaw and the cook with the radio, the encounter between the lead actor and his lady in the ballroom - lovely - or the very popular story he told about the Gurkhas. Such as a sequence that gives a certain explanation. The film's largely upbeat tone leaves you feeling anxious, incoherent, and desperately needing to cut yourself loose.